This is a very complicated book. On the one hand it's a wonderful adventure story, very thrilling, very engaging. It also has great epic themes, like the struggle between good and evil, and the fate of the world. But on the other hand, there's a very subtle message or series of messages that I'm really not comfortable with.
Okay, so if you read this book, the first thing you'll encounter is a Daemon. The story's main character, Lyra has one. In fact, every human character in this book has one. It's in the shape of an animal and it can talk. The daemon is actually the person's soul, except it's outside of the body. That's okay. Plus, it works. Pullman does a very good job of this and writes it so well that it doesn't pose a problem at all. The daemon is like a separate person, but it's also the same person; what the daemon feels or thinks or knows is known to its person and vice versa. The daemon often manifests how its person is feeling, so you would read someone's emotions or body language, not by looking at them but by looking at their daemon. And Pullman actually makes this work really well in this story.
One minor thing I didn't like so much about the whole daemon thing is that a person's job or station in life seems to determine the form of that person's daemon. For example, it is mentioned that servants, as a rule, have daemons in the form of dogs but the higher station of servitude you're at, the higher kind of dog you get; for example, the steward at Jordan college is an important servant so his daemon is an Irish Setter. Whereas, in real life, your job doesn't determine what kind of person you're like at all. But that's just a minor thing.
One of the giant themes in this book is separation from one's daemon or soul. The first hint of this I got was at the very beginning when Lyra is exploring her home, Jordan College. She finds the crypt where all the important college people are buried and notices that their daemons are buried with them in the form of a gold coin, engraved with the daemon's shape and name, placed inside the cadaver's mouth. She decides to play a trick on them and switches two of the cadaver's daemon-coins. Lyra's daemon begins to behave as if something terrible has happened and panics, but Lyra is pleased with her trick. That night, however, she is visited by the ghosts of the men whose daemons she switched and she realizes the gravity of the offense that she has committed and corrects it.
A little later on, Lyra meets a character, a polar bear named Iorek Byrnison who is enslaved by the people of a small town. She asks him why he doesn't just break free because he is obviously strong enough. He replies that the people of the town have tricked him and stolen his armour and are keeping it hidden. This doesn't seem like such a big deal...but it turns out that a bear's armour is like his soul and the bear can't stand to be separated from it.
Also, when Lyra first meets Iorek, she is very afraid of him and hides behind a fence but her daemon pulls her out of her hiding place by widening the distance between them. A person cannot be separated from their daemon by more than a few meters, and when one or the other pulls on that distance they both feel a strong physical and emotional pain because they cannot bear to be separated from one another.
Later on, we discover that the antagonists of this story are experimenting on children by physically and permanently separating them from their daemons. The children then become soulless, some of them die right away, others live for a little while longer but while they live they seem to have very little personality left. Of course, in the story, to separate a person from their daemon is a very wicked thing to do, almost like murder or worse.
It turns out that the wicked antagonists who are doing that belong to the Church (ostensibly, the Roman Catholic Church, in this story the Church is the all-powerful governing body of the whole world) and they believe that they can cure a person of original sin by separating them from their daemon before original sin comes on them. It seems as if, in this story, children are completely innocent, untouched by original sin until they reach puberty.
The messages of the story are extremely subtle. The book is so well written that its messages appear as little hints here and there. Almost as though you can't really be sure that what your reading is a message put there by the author or if it's just a part of the story... and that's kind of unsettling. If I were to write an academic essay on this book I would argue that Pullman is trying to write a kind of subtle allegory. But it would take a tremendous amount of work to argue it effectively.
Okay, so if you read this book, the first thing you'll encounter is a Daemon. The story's main character, Lyra has one. In fact, every human character in this book has one. It's in the shape of an animal and it can talk. The daemon is actually the person's soul, except it's outside of the body. That's okay. Plus, it works. Pullman does a very good job of this and writes it so well that it doesn't pose a problem at all. The daemon is like a separate person, but it's also the same person; what the daemon feels or thinks or knows is known to its person and vice versa. The daemon often manifests how its person is feeling, so you would read someone's emotions or body language, not by looking at them but by looking at their daemon. And Pullman actually makes this work really well in this story.
One minor thing I didn't like so much about the whole daemon thing is that a person's job or station in life seems to determine the form of that person's daemon. For example, it is mentioned that servants, as a rule, have daemons in the form of dogs but the higher station of servitude you're at, the higher kind of dog you get; for example, the steward at Jordan college is an important servant so his daemon is an Irish Setter. Whereas, in real life, your job doesn't determine what kind of person you're like at all. But that's just a minor thing.
One of the giant themes in this book is separation from one's daemon or soul. The first hint of this I got was at the very beginning when Lyra is exploring her home, Jordan College. She finds the crypt where all the important college people are buried and notices that their daemons are buried with them in the form of a gold coin, engraved with the daemon's shape and name, placed inside the cadaver's mouth. She decides to play a trick on them and switches two of the cadaver's daemon-coins. Lyra's daemon begins to behave as if something terrible has happened and panics, but Lyra is pleased with her trick. That night, however, she is visited by the ghosts of the men whose daemons she switched and she realizes the gravity of the offense that she has committed and corrects it.
A little later on, Lyra meets a character, a polar bear named Iorek Byrnison who is enslaved by the people of a small town. She asks him why he doesn't just break free because he is obviously strong enough. He replies that the people of the town have tricked him and stolen his armour and are keeping it hidden. This doesn't seem like such a big deal...but it turns out that a bear's armour is like his soul and the bear can't stand to be separated from it.
Also, when Lyra first meets Iorek, she is very afraid of him and hides behind a fence but her daemon pulls her out of her hiding place by widening the distance between them. A person cannot be separated from their daemon by more than a few meters, and when one or the other pulls on that distance they both feel a strong physical and emotional pain because they cannot bear to be separated from one another.
Later on, we discover that the antagonists of this story are experimenting on children by physically and permanently separating them from their daemons. The children then become soulless, some of them die right away, others live for a little while longer but while they live they seem to have very little personality left. Of course, in the story, to separate a person from their daemon is a very wicked thing to do, almost like murder or worse.
It turns out that the wicked antagonists who are doing that belong to the Church (ostensibly, the Roman Catholic Church, in this story the Church is the all-powerful governing body of the whole world) and they believe that they can cure a person of original sin by separating them from their daemon before original sin comes on them. It seems as if, in this story, children are completely innocent, untouched by original sin until they reach puberty.
The messages of the story are extremely subtle. The book is so well written that its messages appear as little hints here and there. Almost as though you can't really be sure that what your reading is a message put there by the author or if it's just a part of the story... and that's kind of unsettling. If I were to write an academic essay on this book I would argue that Pullman is trying to write a kind of subtle allegory. But it would take a tremendous amount of work to argue it effectively.